Andy! Oxidation paintings by
Mambo
A project by Kristofer Paetau,
Rio de Janeiro, 2008
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INTERVIEW BY HEIKE WETZIG
Did Mambo piss at command or
spontaneously, according to his nature? He seems to be a true friend to his
master. But you might have arranged a clandestine manipulation, confronting us
with a Warhol-like series of art production in a continuation in time and by
accident. What is the difference between this work and Andy Warhol himself
pissing a painting?
I first met Mambo and his master
Eugenio over a year ago when I was in a residency in Rio de Janeiro. Eugenio
was working in a circus and he had just bought Mambo who was only a couple of
weeks old. At that time I already wanted to realize the piss painting project
with Mambo but he was too young and my residency was ending soon. When I moved
from Berlin to live in Rio de Janeiro one year later, I contacted Eugenio to
see if we could go on with the project now that Mambo was one year old and I
had all the time I wanted. It took Eugenio about one month to train Mambo to
piss on the copper painted canvas each time he said "Andy!". Then we
made the first walks together, filming Mambo in action. By the way: Andy Warhol
used to ask his friends, assistants and some visitors to piss on the canvases.
So the main difference is the dog and the process of teaching it to piss on a
canvas at command and to film this 'painting process' that takes place in the
streets.
What do you think about the artistic
process and the obvious aesthetic value of this ongoing series, and how about
the selling price?
I always liked the animal art
productions that I saw on television when I was a child: elephants and monkeys
painting beautiful abstract - or even figurative - expressionism. I liked the
idea of trying to make 'conceptual' abstract expressionist paintings with a dog
and to parody Andy Warhol whose oxydation paintings I like very much, because
they are parodies of the abstract expressionism that was the 'official art' at
that time in the USA. The fact that paintings made by an animal can be as
beautiful or even more beautiful than paintings made by human beings is also
thrilling me. And I like the fact that a chemical reaction can produce
beautiful paintings randomly. But my main interest lies in the beauty of the
concept. This work is a parody, a joke if you want but a joke which produces
beautiful paintings and which took me a long time to prepare and to carry out.
I don't know anything about the selling price. I've never sold a single artwork
in my life, but I'm still hoping for the best.
Do you love dogs?
Depends on the dog. In my family we
always had a dog called Tina. When Tina died my parents bought another female
dog of the same race and called her Tina too. At some point I lost the count,
there must have been at least three or four Tinas. Right now I am more
fascinated by birds. In my small room in Rio I live with a cockatiel which is
imitating other birds and I am thinking about having a parrot.
You might have some basic ideas
about the so-called bad taste, about popular culture and art, about
communication, art amateurs and animals, or the importance of wit (in art).
Would you like to talk about that?
I think bad taste is essential. Bad taste is not the same as lack of taste,
it is a parody of - and an attack on - good taste. Art needs bad taste, popular
culture, amateurism and amateurs (lovers) - maybe also animals - in order to
create emotions, wit and beauty.
Dog piss
on copper painted canvas, 30 cm x 40 cm. Ongoing series.